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Author Topic: Colours in Religious Art  (Read 1674 times)
StrictCatholicGirl

Posts: 6,728



« Reply #30 on: January 20, 2009, 09:11:PM »

Quote from: Satori
I can't let this reference to Bougeureau as a Pre-Raphaelite painter slide! He was an academic painter, probably in many ways diametrically opposed to the Pre-Raphaelites since they were considered very unconventional at the time.  

My mistake. I only know his artwork is included on site of a Pre-Raphaelites - and those later associated with the Brotherhood.
 
Ilusions Gallery.
 
- Lisa
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- Lisa

While those who give scandal are guilty of the spiritual equivalent of murder, those who take scandal- who allow scandals to destroy faith- are guilty of spiritual suicide. -- St. Francis de Sales

Charity unites us to God... There is nothing mean in charity, nothing arrogant. Charity knows no schism, does not rebel, does all things in concord. In charity all the elect of God have been made perfect. -- Pope St. Clement I
Jacafamala

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Personality type: melancholic-phlegmatic
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"cross my heart and kiss my elbows"


« Reply #31 on: January 21, 2009, 03:57:PM »

Quote from: OKinyobe
This might sound like a ridiculous topic but I would like to know if there are any resources that might explain why certain colours were used in religious art. For example, why was Our Lady presented wearing blue when a woman of her particular background could not have afforded to wear such a colour?

Thanking you in advance.

It's an interesting question. I don't know the answer.

But from a painter by the name of Fairfield Porter, I learned that atmospherically,  blue is a color that sets itself apart from all other colors. If you look at a landscape in mid day, you'll see that it's true.

My conclusion is that, because Many is set apart, hence she should have the blue mantle. This is my interpretation of it anyway. I really don't know why of it. In school I learned that traditional artists were concerned with symbolism with regard to gestures of the hands and also of the objects that a saint holds. No one ever spoke of the symbolism of color to my recollection.
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 “Hear me and understand well, my son the least, that nothing should frighten or grieve you. Let not your heart be disturbed. Do not fear that sickness, nor any other sickness or anguish. Am I not here, who is your Mother? Are you not under my protection? Am I not your health? Are you not happily within my fold? What else do you wish?..."
OKinyobe

Posts: 244


« Reply #32 on: January 25, 2009, 10:57:PM »

I'd like to thank everybody again. I explained this to my Catechism students. They were quite interested.
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bluecarmel

Posts: 54


« Reply #33 on: January 26, 2009, 11:11:AM »

Well, I can't find a source to quote, right now; but I read that the red color represents divine nature, and the blue-green represents earthly nature; so that Christ is depicted in icons as wearing red underneath (having a primary nature of divinity) and wearing the "humanity" color on the outside, since He took on our flesh and nature.  Mary, on the other hand, is primarily human, but has been clothed with divine nature, through her fiat and unique, immaculate worthiness.  It was in a book on worship using icons.
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Mhoram

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WWW
« Reply #34 on: January 26, 2009, 12:45:PM »

Quote from: Melita
For some reason love-sick, suicidal princesses seem to appeal to certain men. I wonder why that is...
As Mike and the bots said during Horror of Party Beach, when a fetching damsel turned into a horrid monster with a "matronly bosom": "I think the director had some issues with his mother."

We've been watching Civilisation, a history of civilization as seen through art, presented in 1969 by Lord Kenneth Clark of Britain and now on DVD.  It clearly shows how, for several centuries, all the worthwhile art--all civilizing influences, really--came from the Catholic Church.  One thing that struck me was how often Church-funded art included Greek and Roman mythology, even gods and goddesses like Venus and Apollo.  Not in the sense of worshipping them, of course, but it was still surprising to an art history neophyte like myself to see them in that context at all.
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Aaron
My Blog, Commentarii Mei.
My Church, Saint Rose of Lima, offering the TLM since November 2008.
libby

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"does this bike make me look fat?" - VoxClamantis


« Reply #35 on: March 11, 2009, 10:16:AM »

I don't know the Christian choices of color -

However, I understand that the opposite of our "blue for boys, pink for girls" was once true -

Blue was the "female" color, and red was the "male" color.

as far as pink for the Infant.....hmm....maybe because he was a younger male (red)?

I have no idea!

Smiley
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VoxClamantis
Dead Girl Walking
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« Reply #36 on: March 11, 2009, 11:56:PM »

Oh, I have a thing for Ophelias! That Millais Ophelia was in a text book I had in Junior High, and it captured my imagination for some reason. I used to look at it a lot... But my favorite is this one, by Alexandre Cabanel (click to see it enlarged! I totally recommend it!!!:


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Job 12:7-8 "But ask now the beasts, and they shall teach thee:
and the birds of the air, and they shall tell thee.
Speak to the earth, and it shall answer thee:
and the fishes of the sea shall tell."
Benno

Personality type: All 4 supposedly
Posts: 785



« Reply #37 on: March 12, 2009, 12:07:AM »

Chesterton was an ex artist who found his way into journalism, and continued to put something about his theories of colour (and the lost appreciation for it) into nearlly everything he wrote. Almost like an annoying guest at a dinner party at times! Check out some things that he said about colour. And Augustine thought that an appreciation of colour was one of the best gifts given to man. It's an important part of the tradition of Beauty in Catholicism, which some scholars say reached its summit (for mere mortals any way) in the Transfiguration.

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Avalonik

Posts: 638


« Reply #38 on: March 12, 2009, 06:05:AM »

Quote from: VoxClamantis
Oh, I have a thing for Ophelias! That Millais Ophelia was in a text book I had in Junior High, and it captured my imagination for some reason. I used to look at it a lot... But my favorite is this one, by Alexandre Cabanel (click to see it enlarged! I totally recommend it!!!:



I'm embarrassed to admit I've never seen this painting.  It's   beautiful.  Thanks for posting that!
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"I believe in the Ideal, in Tradition, in Hierarchy." - Josephin Peladan
Satori

Posts: 4,270



« Reply #39 on: March 14, 2009, 06:48:AM »

I prefer this Ophelia by Millais. I hung a copy next to my bathtub.


File:Millais - Ophelia (detail).jpg
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GeorgeT

Posts: 146



« Reply #40 on: November 18, 2009, 01:47:AM »

In art history I learned that the most important figures in stained glass had the most red. This was because gold was precious, could be used to color glass and turned out red when it colored glass.
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